1. The holder holds all ownership rights to and from copyrighted and/or copyrighted works described in this Agreement. Copyrighted works are collectively referred to as „work.“ Once you have found the perfect song or musician for your production and have received the green light from the artist or copyright owner, you must create a music licensing agreement. If you are a musician with the ability to sell the rights to your melody – whether you are being revoked by a music company, a television producer or an advertiser – a well-written music licensing agreement guarantees that you get your fair cut. 2. The owner holds all rights to the work and the work and reserves all rights to the work that are not transferred to him and retains all common law copyrights and all federal copyrights that have been or may be granted by the Library of Congress. If you get a music license agreement, you may be in trouble. Most music is copyrighted, and if you want to use a melody in a multimedia production, you have to play by the rules. Every musician has heard of artists who have lost control of their rights while their songs continue to play.
A music licensing agreement protects both parties if you decide in advance whether royalties should be paid as a percentage of revenue, for a specified amount for each use or under another contract. Where will the song be used, and how long? Can it only be used in a given geographic area? Can the purchaser transfer the rights without the composer`s consent? Can the song be duplicated? You can define everything in a music license agreement. Whether your selection is a top 40 hit, golden oldie or obscure indie, this simple and flexible document can help protect your interests. Other names for this document: Music Licensing Agreement, Music License Contract II. RIGHTS AND OBLIGATIONS. The user is the sole owner of the work and all property rights over and over the work; However, this property does not include copyright ownership over and over property or other property rights that are not expressly granted in this agreement. The following signatures make this agreement effective on the date of the first writings. VIII. COMPENSATION. Each party releases the other party from losses, claims, damages, subsidies, penalties or third-party violations, including reasonable legal fees resulting from an alleged breach of the insurance and guarantees of that party compensated under this agreement, provided that the unscathed party is immediately informed of these claims.
The compensated party has the exclusive right to defend these rights at its own expense. The other party provides, at the expense of the compensated party, such support for the examination and defence of such claims which the resulting party may reasonably require. This compensation will apply even after the termination of this contract. XI. SEVERABILITY. If, for any reason, a provision of this Agreement is found to be invalid or unenforceable, the other provisions remain valid and applicable. When a court finds that a provision in this agreement is invalid or unenforceable, but becomes valid or enforceable by a limitation of that provision, that provision is deemed to be written, interpreted and applied in such a limited way. Propose changes by creating a copy of this document. More information. IV. CHANGES.
Unless the owner`s prior written permission is obtained, the user cannot modify or modify the property under any circumstances. The licensee does not use the property granted for illegal purposes or prohibited by the present terms of the agreement. Kenny DooLin`s Music Licensing Agreement (Synchrus.records¤Facebook) „Rocket Lawyer is a useful tool for professionals who need affordable legal documents.“ In this agreement, the party granting the right to use the licensed property [OWNER] is designated „owner“ and the party who obtains the right to use the licensed property [USER] is designated „User.“ This copy license agreement